Pop quiz – how many times has the U.S.S. Enterprise graced the cover of Cinefex? As our header image demonstrates, the answer is now “five.”
Starfleet’s iconic starship first appeared on the front of our inaugural issue, way back in 1980, when Cinefex issue 1 delivered exclusive coverage of Star Trek: The Motion Picture (we’ve covered every single Star Trek theatrical feature since, with the exception of Star Trek II: The Wrath of Khan).
The Enterprise‘s next cover gig came in 1989 with Cinefex 37, when we voyaged into the world of television to explore the visual effects of Star Trek – The Next Generation. Fast-forward to 2009 and J.J. Abrams’ Star Trek reboot, and there’s the Enterprise soaring across the cover of Cinefex 118, only to return in 2013 for Cinefex 134 and our in-depth story on Star Trek Into Darkness.
Now the Enterprise is back, up close and personal on the front cover of the brand new Cinefex 148, in a stunning image that was specially beamed to us by Double Negative. Inside you’ll find galaxy-spanning articles on four blockbuster movies – Star Trek Beyond, Warcraft, Independence Day: Resurgence and The Legend of Tarzan.
Here’s Cinefex editor-in-chief Jody Duncan to tell you more about our latest edition …
Jody Duncan – From the Editor’s Desk
In Cinefex 65, published in 1996, we dedicated much of our coverage to Industrial Light & Magic, in honor of the celebrated company’s 20th anniversary. I was given the task of writing a survey of ILM’s work up to that point, covering – in a paragraph or two – the effects in each of ILM’s film projects spanning that period.
No effort has ever made me appreciate Cinefex more. I quickly found that if the film in question was one we had covered, I had a wealth of information from which to draw. On the few occasions I had to write about a film not previously covered in Cinefex, I was doomed, because no such information existed. Many visual effects artists have made the same observation, and have said to me: “Before Cinefex, getting information about how a film’s effects were done was almost impossible.”
I mention this because, when assigning myself the Independence Day: Resurgence article for our current issue 148, my first thought was: “Thank God, we covered the first Independence Day 20 years ago.” I knew that I could re-read that article and learn all I needed to know – for compare and contrast purposes – about how they had done the effects for the original film. I also knew that my new article would benefit from our long association with visual effects supervisor Volker Engel, who in 1996, in 2016, and in all the years between has been the very best kind of ally.
Warcraft director Duncan Jones, too, was an ally as Graham Edwards dove deep into that film’s effects. Graham also covered Star Trek Beyond, the subject of one of our sexiest covers ever. (Yes, the Enterprise is our cover image yet again – but no one complained when Elle Macpherson graced the cover of Sports Illustrated’s swimsuit edition three years in a row!)
Finally, Joe Fordham brings us extensive coverage of the effects in The Legend of Tarzan, which includes some fascinating stories of shooting background imagery in Central Africa’s Gabon – a remote, deeply forested landscape never before seen in a Hollywood film.
That’s Cinefex 148 – enjoy!
Issue 148 of Cinefex is on newsstands now, and available to order at our online store. If you’re a subscriber, clear those Tribbles out your mailbox – your copy will be docking very soon. And don’t forget our enhanced iPad edition, featuring tons more photographs – many of them exclusive to Cinefex – and stunning video content.