Now Showing – Cinefex 147

by Graham Edwards

Cinefex 147 - From the Editor's Desk

You know what the law of the jungle says: The strength of Cinefex is in the pack … as in the pack of films we’ve got lined up for you in our sun-dappled June edition, Cinefex 147.

Things get off to a roaring start as Joe Fordham grabs a tiger by the tail for his article on the making of Jon Favreau’s The Jungle Book. You’ll also find superheroes aplenty in Cinefex 146, with in-depth stories on Captain America: Civil War, and X-Men: Apocalypse, not to mention a psychedelic trip into the imagination of Lewis Carroll with Alice Through the Looking Glass.

Here’s Cinefex editor-in-chief Jody Duncan to lead you deeper into our latest issue …

Jody Duncan – From the Editor’s Desk

There are a few directors I follow with particular interest, and Jon Favreau is one of them. I appreciate a director who has both Chef and Iron Man in him – the former, a heartfelt redemption story; the latter, a kick-ass superhero movie. (One of the best superhero movies ever, to my mind.) Whatever the genre or subject matter, Favreau explores the human condition with wisdom, compassion, and wit.

And so I was excited to see what he would do with The Jungle Book – and he did not disappoint. What was frothy, cute and charming in the original Disney cartoon became somewhat darker in Favreau’s live-action adaptation, but little Mowgli and the computer animated animals surrounding him had all the humor and elegance I’ve come to expect from a Jon Favreau production.

A line of text at the end of the credits noted the most amazing aspect of this film: it had been shot entirely on stage in downtown Los Angeles. The story of how that barren concrete slab was transformed into an Indian jungle populated with wolves, panthers, snakes, apes, elephants and one vengeful tiger is revealed in picture and word in Joe Fordham’s Jungle Book article. I know well that in this digital age, not all visual effects stories are interesting. This one is.

Joe also interviewed the effects artists behind the work in Alice Through the Looking Glass, while Graham Edwards dug deep to bring us the stories recounting the making of the effects in X-Men: Apocalypse, perhaps the most ambitious of all the X-Men films to date.

To ‘cap’ it all, my article for this issue covers the effects in Marvel’s Captain America: Civil War, a truly epic film with 11 of the most popular Marvel characters duking it out, superhero-style.

And that’s issue 147!

Thanks, Jody! Issue 147 of Cinefex is on newsstands now, and available to order at our online store. If you’re a subscriber, stand by your mailbox – your copy is already on its way. And don’t forget our enhanced iPad edition, featuring tons more photographs – many of them exclusive to Cinefex – and stunning video content.