Honey, I Blew Up the Kid |
Blowing Up Baby |
Article by Jody Duncan |
| |
When Disney was making Honey, I Shrunk the Kids, its own in-house effects facility lacked both the equipment and the personnel to take on the assignment. Three years later, Honey, I Blew Up the Kid would mark the reemergence of Buena Vista Visual Effects. Providing support were eleven other effects companies, including CIS-Hollywood and Sony High Definition in their feature film debuts. |
|
| |
Death Becomes Her |
Life Neverlasting |
Article by Kevin H. Martin |
| |
Among the effects challenges of Robert Zemeckis' black comedy, Death Becomes Her, were the unlikely depictions of Goldie Hawn as a two-hundred-fifty-pound blimp and Meryl Streep with a twisted-around head. The effects teams at Industrial Light & Magic and Amalgamated Dynamics Incorporated joined with makeup artists Dick Smith and Kevin Haney to realize the comically horrific tale. |
|
| |
Commercial Spot: Simian Simulation
Commercial Spot: Elevator to the Stars
Stay Tuned: Video Hell
Stay Home Alone 2: Panic on Liberty Island
Profile: Alan Munro
Video Beat: Morphing to the Madness
Laser Revolution: The Lost World Revisited
Effects Scene: Therapy in Pen-and-Ink |
|
| |
|
|
Readers who bought this
issue also bought: |
| |
 |
| |
 |
|
