If you’re looking for some extra-special reading material this holiday season, treat yourself to a copy of Cinefex 150, packed with in-depth stories on mystical mirror dimensions, inscrutable aliens, magical creatures and wartime wonders.
With Doctor Strange casting a spell over the box office this fall, you won’t be surprised to see that we’ve chosen Marvel’s sorceror supreme as the cover boy for our December issue. The magic ramps up as we explore the visual effects of Fantastic Beasts and Where to Find Them, the latest excursion into J.K. Rowling’s wizarding world. We delve into some thought-provoking sci-fi in our detailed analysis of the critically acclaimed Arrival, while rounding out Cinefex 150 is Allied, Robert Zemeckis’ romantic drama of hidden secrets and secret missions set at the height of World War II.
Here’s Cinefex editor-in-chief Jody Duncan to reflect on the contents of our latest issue, and on some of the other coverage we’ve offered through 2016 …
Jody Duncan – From the Editor’s Desk
I was heartened to see that of the 20 films initially announced as candidates for Best Visual Effects Oscar contention – now pared down to 10 – Cinefex has covered all but three (Kubo and the Two Strings, Sully and Deepwater Horizon.)
This may seem unremarkable: “These were the best visual effects films of 2016! Of course they were covered in Cinefex!”
Not so fast. What makes our hitting 17 out of 20 noteworthy is that, for each of the six issues we produced in 2016, we made the decisions as to what to cover for that issue at least six months prior to the release of the prospective film projects. We are the longest of ‘long lead’ publications, our editorial and production processes consuming months, rather than weeks or days. (You think 30-page articles and glossy image reproductions happen quickly?)
So we chose to cover The Jungle Book, for example, well before the film was released – heck, well before it was even finished! When The Jungle Book’s Baloo was still just a twinkle in director Jon Favreau’s eye, we had to guess that the film would be as successful as it was, and that its effects would be as stunning as they were. (But, hey, it was Jon Favreau – this one wasn’t exactly a long shot.)
There’s a whole lot of prognosticating going on in the halls of Cinefex – and I was gratified (and greatly relieved) that, for the most part, we got it right in 2016.
Three of the Best Visual Effects Oscar contenders are to be found in the pages of our new issue 150: Arrival, Fantastic Beasts and Where to Find Them and Doctor Strange. Our fourth story covers Allied – because, occasionally, we like to explore films that involve muggles and non-aliens living in our own dimension.
I hope you enjoy the issue. As for 2017: What do you think? War for the Planet of the Apes or Woody Allen’s untitled project? Yeah … that’s what we thought, too.
Cinefex 150 is on newsstands now, and available to order at our online store. If you’re a subscriber, your copy should materialize through a sizzling magical portal very soon. And don’t forget our enhanced iPad edition, featuring tons more photographs – many of them exclusive to Cinefex – and stunning video content.