I confess: I cut my teeth on Jaws, was forever changed by Close Encounters, and experienced an epiphany after Raiders. So, it is always an event for me when a new Steven Spielberg film rolls around, and it is always a joke at Cinefex editorial meetings who will be first to raise their hand to cover the new Spielberg film. It is always me. Or, at least, that has been the case since I joined the team full-time in 2001.
That year, I embarked on the mythical quest that was A.I.. The production was remarkable in that, after decades of development, the creative assets passed from Stanley Kubrick into Steven Spielberg’s care. I badgered Warner Bros. for a director interview. Mr. Spielberg kindly offered to respond to my written questions between camera setups on his next production, Minority Report, which he was already shooting, but I was too nervous to accept lest my insights into supermecha fell into the wrong hands. Besides, I already had a feast of material with Industrial Light & Magic leaders Dennis Muren, Scott Farrar, creature legend Stan Winston, et al. So, that honor eluded me, although I remain proud of the story.
Since then, I have continued my run of Spielberg films – Minority Report, The Terminal, War of the Worlds, Indy IV, Tintin and The BFG. I missed six – Catch Me if You Can, Munich, War Horse, Lincoln, Bridge of Spies and The Post – which had interesting, albeit less voluminous visual effects. My eighth is in the works, with Ready Player One scheduled for Cinefex 159.
As part of my research, Warner Bros. invited me to participate in an event at the intersection of Hollywood Boulevard and Vine Street, in Hollywood. On a vacant lot, across from the Taft Building, a corner of The Stacks has recently sprung up. Without giving too much away, the Stacks is the setting in Ernest Cline’s novel where the novel’s hero, Wade Watts, resides in a ramshackle mobile home bolted on top of a pile of other shacks in the outskirts of Oklahoma City, 2045. For the next two weeks, leading up to the theatrical release of the new movie, anyone can visit Ready Player One – Challenge: The Maze.
Sign a waiver, get tagged with a radio-frequency identification wristband, and after a trip through the velvet ropes, step into the dystopian nightmare. Guests are free to wander, probe and generally tinker around, under the watchful gaze of virtual-reality-helmet-wearing Stacks residents and the occasional unsmiling officer of Innovative Online Industries. I admit, I was expecting holograms, but these are the real deal.
At the end of one glowing corridor, Batman awaits, and he will exchange only terse words. Harley Quinn and a nightmarishly huge Care Bear are friendlier inside a 1980s disco-lounge, where passersby are invited to dance (at least, I did). That’s where I learned there are keys afoot, and this is an Easter Egg hunt. By interacting with the maze and its occupants, and scoring a really lousy game of Pac-Man, I located two of three magic totems, and for each was rewarded a rubber stamp on the back of my hand. I’m not sure where they would have stamped the third.
My favorite chamber was an enigmatic mirrored room, which reminded me of Andrei Tarkovsky’s Solaris. But that may just be me, as that Russian sci-fi classic appeared in 1972. Most of the maze ephemera echoed the book and film, set in a 1980s’ flavored vision of 2045. My only criticism: too many Starlogs, and no vintage Cinefex – but perhaps they were worried Stacks residents would sell those precious magazines on the 2049 equivalent of eBay?
At the end of the maze, an IOI sentry unlocked a secret door to another mirrored corridor, this one flashing colored lights, which led into a chamber of movie artifacts. To find out what those are, you’ll have to visit, or dig around elsewhere, as there are story spoilers. On my way out, a maze security operative pressed a box into my hands, so there are tchotchkes to be had, coming soon to a Funko retailer near you.
It’s a funhouse experience, with a carnival atmosphere – a savvy bit of marketing, and a thrill if you’re a Spielberg fan because there are items from the film tucked away among the stacks (Aech’s bus is parked in there toward the back). The next day, my Twitter feed revealed that I missed a few celebrity visitors who, unlike me, snapped selfies in the maze (hello there, Mr. Spielberg). I’m still working on that interview.
Ready Player One will be in theatres March 29, and in Cinefex this June.
- Ready Player One official movie website.
- Cinefex on The BFG.
- Cinefex on The Adventures of Tintin.
- Cinefex on Indy IV.
- Cinefex on The Terminal.
- Cinefex on War of the Worlds.
- Cinefex on Minority Report.
- Cinefex on A.I..
Thanks to Suzanne Fritz, Loraine Valverde.